
Brave is probably the word for the Montreal Symphony Orchestra’s second International Festival concert (a bravery that may also have accounted for the rather meagre attendance). That’s brave in going for an all-21st-century opening half, and brave, too, in airing Canada’s dirty laundry to an international audience.
Yang to Sokolović’s yin was another of the Orchestra’s commissions, the rapturous Un cri s’élève en moi by Ian Cusson. It was a joyful hymn to womanhood, with more than a nod towards Debussy and John Williams, and sung with poise and elegance by Elisabeth St-Gelais.
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